steel and wood towers unify the private balconies, recalling the wooden fishermen’s barracks and the high cranes which mark this side of the Giudecca island. La Giudecca, Venice Picture: Cino Zucchi – Check out TripAdvisor members’ candid photos and videos of La Giudecca. This building is part of a large urban renewal plan on the site of the former Junghans industrial plant on the island of the Giudecca. The general urban scheme.
|Published (Last):||26 September 2006|
|PDF File Size:||3.43 Mb|
|ePub File Size:||12.75 Mb|
|Price:||Free* [*Free Regsitration Required]|
Was here Favorites Mi Guide. Evidently many of the potential buyers applying to the real giudecac agents who are handling the sale of apartments in some of the new buildings erected on the island of Giudecca in the area formerly occupied by the Junghans factories, are not in fact Zuccgi.
Deep loggias of steel and wood reach over the inner courtyard. On the one hand it proposes a correction and extension of the urban fabric; and on the other, it emphasizes the search for a particular character for each building, somewhere between environmentalism, townscape and the picturesque.
Cino Zucchi – Picture of La Giudecca, Venice – TripAdvisor
New paths are opened in the gaps between the industrial buildings, a new canal is excavated, and a new urban square bordered by the existing school garden generates a long and interesting view toward the South.
The other long side looks out on the new dock and bends toward the open sea at the end. The situation is very different to that of the nearby Sacca Fisola, where the public housing estates built after the war look as if they had been lifted from the anonymous suburbs of the mainland Venetian towns of the s, with their little flowerbeds and lawns to protect the buildings. The new complex is situated at the centre of the island. The old industrial structure has been converted to residential use.
Part of the new housing is earmarked for semi-subsidised housing, some of it is for university dormitories, and another part of it for sale.
Text by Mirko Zardini. The D building is a new construction which substitutes an utilitarian building on the corner between two canals.
The directions are clear, and useful especially to the non-Venetian. It conveys a sentimental vision of Venice that updates its image, extending it and broadening it, and enriching it with all those linguistic experiments with the modern from which Venice has been largely excluded.
Cino Zucchi, winner of the competition for its development, designed five variations on the theme of housing. You can ad links, video’s and even use some HTML! A general plan for the whole area an urban improvement uzcchi was developed from the competition project. The complex of buildings, in part already occupied and that can today be visited, is the outcome of a competition by invitation announced in by a private enterprise in collaboration with the City of Venezia.
Rather, it is the reflection of external conditions, of Venetian atmospheres, suggestions, environments.
It should zucchi as a beautiful song: The winner was Cino Giudecfa. If Walter Benjamin prophetically understood the complex relationships between high-brow and popular culture in the age of technical reproduction, one wonders about the possibilities of contemporary architecture to employ the resonances of the well-known and the banal without falling into the pastiches of commercial architecture which is transforming the whole world into a commodified skin-deep image.
In the case of the new Judeca Nova complex, this intention is evident in the decision to appoint different architects to develop the urban project. In the City Council has initiated the Giudecca Project. The materials and the technical solutions of the building zzucchi very traditional and the details of their use reveal the impossibility of an historicist replica.
Beside its specific attributes generated by the very constrained technical and economical reality of subsidised housing, the project is trying to establish a contemporary attitude toward our urban landscape, which treasures the spatial and formal innovations of the Modern Movement without being trapped into its Sachlichkeit moralisms. Found incorrect or incomplete information? View from the northeast.
On the island of Giudecca, the abandoned industrial area of the Junghans factory has been turned into a residential neighborhood. The ex-Junghans precinct is thus opened up to the city, creating a new outlook toward the extraordinary landscape igudecca the Laguna. The urban layout of the project recognizes the presence of two heterogeneous scales: The traditional plain giudfcca stone window corniche of the minor historical Venetian architecture is changed in proportion and transfigured into a graphic motif and the crowning of the perimeter walls hides cuno gable roof required by the local regulations, reconducting the volume to an abstract image which is doubled by the reflection in the canal waters.
Cino Zucchi – Arquitetura contrastante. – Picture of La Giudecca, Venice
More projects in Venice. From Piazzale Gkudecca, those arriving in Venice by car should then take the same route. Some of the industrial buildings have thus been maintained, cut, and transformed, or substituted by other buildings insisting on the same foundations. The imposed simulated a process of growth or transformation, similar to that of a certain period of the historical city itself, in aspiring to re-establish, or only to suggest, a social, economic and political, hence also urban, complexity.
China Germany India Mexico, Central America and Caribbean Sri Lanka Korea icon-camera close icon-comments icon-down-sm icon-download icon-facebook icon-heart icon-heart icon–mobile-logo icon-next-sm icon-next icon-pinterest icon-play icon-plus icon-prev-sm icon-prev Search icon-twitter icon-views icon-instagram. More by Cino Zucchi. And this character is not derived from a reflection on content, programmes or end-uses. The area with the Junghans factory buildings before the redevelopmen.
The resistance to urban kitsch, at least in Venice, cannot take the simple forms of structural honesty or adopt fashionable avant-garde attitudes, but forces us to question again the problems of modernity versus permanence and individuality versus the collective artifact of the city.
The project acts a sort of “microsurgery” in the former industrial area, including both radical transformations by refurbishment or new construction as well as slight modifications of the existing buildings and open spaces. At the same time he delivers the brilliant conclusion of a story begun a few decades ago, with the not very distant house on the Zattere, designed by Ignazio Gardella.
The new square and giuedcca new canal, facing the lagoon, offer a giudeccs unseen view and give access to a landscape until now little appreciated. This, then, is the crux of the operation. To the south on the other hand nothing remains of the previous industrial structure, now replaced by four buildings in a row.