Updated : Nov 20, 2019 in Spiritual

ALESIS MIDIVERB II MANUAL PDF

View and Download Alesis Midiverb II instruction manual online. Midiverb II Music Pedal pdf manual download. Alesis Midiverb II Manual – Free download as PDF File .pdf), Text File .txt) or read online for free. The heart of this system is a very large scale integrated chip developed by Alesis specifically for MIDIVERB II. Wide dynamic range QUICKSETUP and 15kHz.

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Press any numbefed button from to 9. Sending MIDI patch number will call up the defeat program. The most impressive thing to me was the all of the different sounds and clarity.

You might have to adjust other levels in your system at this time. This jack accepts any standard connection of any in8trunr ent or mk: The thumping sound is caused by volume fluctuations in the sustain portion of the sound that are causing the triggering action to reoccur. This completes the program assign.

But since chang- ing programs is 80 easy; deciding on the correct sound should be based on plenty of experimentation and your own taste. MidiVerb II is an amazing machine – in the era of cheap silicon and huge memory chips it’s still being used widely after 20 years or so in existence.

You should find a combinatbn of level settings that will provide an amazingly noise free over- all sound. Each program varies in tonal characteristics and decay time. DSP handles one sample at a time.

When you turn on the unit the program assigned to MIDI patch 01 will auto- matically be activated. Analog-to-Digital conversion is managed by method of ‘successive approximation’.

If you are using an instrument with stereo outputs keytdoard, daim machine, etc.

Alesis Midiverb II Instruction Manual

This results in 15KHz li for the processed audio signal after Digital-to-Analog conversion. Here’s a setup procedure that you should follow closely: If you can program your remote control you can work one of these.

Further information on the Alesis MidiVerb 4 reverb and effects processor. This delay and pitch modulation is continu- ously varied by a lew frequency oscillator The effect creates changes over time in the frequency content of the mixed signal.

Although not a part of normal professional studio practice, this unit features automatic input level sensing, which means that- if you want – you can pretty much stop worrying about optimizing the input signal level and concentrate on the sound you are hearing. Instruments with a snrxxith, continuous decay such as key- boards or lightly strummed guitar might retrigger ttie mznual during the sustain portkxi of their sound. There is no dedicated ADC device involved.

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You’ll be able to maintain spontaneity in your music while creating sounds as subtle or as dramatic as you like. Because the envelope of such instalments is so short there will be no sus- tained signal present to be intemjpted by the trig- gering imdiverb at the onset of the next input signal. They do make a difference. In general, smaller sounding spaces with smoother articulation of the reverb decay will provide the proper range of ambience for full dnim kits and rhythm section instrumenta The larger spaces wHI lend themselves readily to vocals and lead instruments.

This resetting action momentarily intentipts the delayed signal during the reset and the thump- ing popping sound might appear.

Triggering is indksated the instant the green LED turns from off to oa Triggered flanges lend themselves most effectively to instmments with a sharp leading edge to their attack, like cymbal crashes or continuous percussive playing from drums or rhythm instruments electric rhythm guitar included.

Simply assign the program of your choice to MIDI patch number But, please thorougNy read this manual when li have time, so you won’t miss anything important. Make sure you are sending a strong, clear signal to the unit. These levels will vary depending on the actual equipment used, but should fail somewhere in the shaded areas. Refer to the owner’s manual of your mixer or instrument amp if necessary. Ail the flange programs vary in the depth and speed of the flanging effect In additkm most of these pro- grams include some degree of automatic stereo panning that varies in alesks speed and wklth of the pan effect This panning can be very dramatic and greatly enhances the creative possibilities of MIDIVERB irs flange programa Programs Search the history of over billion web pages on the Internet.

You can adjust the mix to your own taste after you have completed the remainder of an effect fuNoff fun on this setup procedure.

Full text of “Alesis MidiVerb 2 Owner’s Manual”

For example, if you are connected to a mixer you will need to adjust the effects send s and receive s to the proper level, then set the master stereo output level of the mixer accordingly If you are connected to an instrument amplifier, you should adjust its volume control to the desired level. This will become the current program and will now be assignable to the MIDI patch number you just entered.

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See the sec- tion titled The Programs for a complete listing of the banks and their programs. This memory consisting of memory locations is only visible to the DSP. The lower right segment of the two digit LED display will blink for approximately 4 seconds, prompting you to enter a second numt er.

To a IceytxMird, drum machine, guitar, or microphone effected signal to dry signal on the mixer by using the individual input channel faders dry signal and the stereo effects returns effected signal from MV II.

When connected to a mixing board, set the MIX control to full on all effect. The quality of the Alesis MidiVerb 4’s reverb is comparable with many reverb units used in professional studios, being described as ‘dense’ iu ‘natural’. This completes the program change. The second number entered will call the specific program in that group.

If you’re pressed for time, try this quick setup procedure. There are also many other features on it that I have never and probably will never use, but that’s only because I’m very happy with what it does to my sound. You should hear very little, if any, background noise. CD, in comparison, uses a meager 16 bits.

There’s not much ‘analog’ in this box, I must admit, but I was just wondering why it sounds so much better than the later MidiVerb III.

But there’s one more midigerb. Midiverb II Program Guide.

When MidiVerb II is switched on the first program in the mapping table is read and activated. In comparison to some units that can only mznual one effect at a time and remember that you’ll always need reverbthis unit allows up to three simultaneous multieffects.

See your Alesis dealer.